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Three Cities, 16 Years And $1 Billion Later, 'Defiant' Lucas Museum of Narrative Art Opens To Mixed Reviews

It looks like a spaceship hovering over South Los Angeles, writes CNN, with futuristic tube-like elevators and an exhibition of Banksy murals. There's a room featuring Luke Skywalker's X-34 Landspeeder, but in its gardens there's a 19th-century cast of a sculpture showing David conquering Goliath — and then a bronze statue of Princess Leia strangling Jabba the Hutt with a chain. Next to Rosie the Riveter. CNN argues it's the museum's message that "all forms of art and mythology on display here — from comic book illustrations and 'Star Wars' concept art to Impressionist masterpieces and reproductions of the Sistine Chapel — are worthy of equal consideration within the long arc of human history." More than 16 years after first proposing a cultural institution dedicated to visual storytelling, filmmaker George Lucas and his wife, businesswoman Mellody Hobson, will open their long-awaited museum in Los Angeles on September 22. The project made two false starts — plans to construct it in San Francisco and Chicago were both eventually abandoned — and has cost Lucas around $1 billion of his own money to build... Inside, visitors will find a significant slice of Lucas' private collection, amassed over five decades and spanning art, costumes, movie props and memorabilia, with more than 1,300 objects currently displayed across 30 galleries... Many fans will come for the "Star Wars" vehicles and sculptures of Yoda and Grogu, but the sci-fi mega-franchise only occupies about 7% of the museum. Lucas and Hobson are betting those visitors will stay for artworks by Frida Kahlo and Norman Rockwell, photographs by Gordon Parks, comics by Frank Miller and Cowboy Bebop anime, which will be screened in one of two theaters alongside early silent movies, Lucas' own student films and productions by famed historical artists like Man Ray... [M]ajor art institutions like New York's Museum of Modern Art and London's Tate Britain have reconsidered the cultural canon by rehanging their permanent collections, exhibiting overlooked or marginalized artists alongside more widely celebrated names. The Lucas Museum appears to follow a similar philosophy, contending that the gravitas of an artwork is not just determined by its display in space but by what it's in dialogue with. Lucas has even called his namesake museum "a temple to the peoples' art," elevating the work of illustrators and other underappreciated art forms... The museum defines narrative art as any art that tells a story, and, moving through the space, one feels the enormity of the task of organizing and presenting such a broad vision... The open-plan, curvilinear design means the galleries are not fully divided, reinforcing the all-encompassing nature of the collection, though altogether the vast array of exhibits sometimes struggle for cohesiveness. Disjointed curation may reflect turbulence in the museum's management ahead of the opening. Last April, former director and CEO Sandra Jackson-Dumont departed, with Lucas himself assuming responsibility for "content direction." A month later, the museum laid off 15 full-time and seven part-time staff before chief curator Pilar Tompkins Rivas resigned in December, with no replacement planned... After failing to secure a site in San Francisco, Lucas faced public opposition and a lawsuit in Chicago, with nonprofit Friends of the Parks arguing that his lakefront proposal would essentially privatize public land. Amid the delays and setbacks, simply opening the museum may feel like a victory to its founders. Lucas's wife said she'd watched the awe-inspiring activity of genius at work, reports Variety. "And he was fanatical at times, but the thing about a fanatical person is they're a fan. He was a deep fan of these illustrators in this work, and he wanted them to be represented, and I became a deeper fan of his." Hobson teared up as she continued, "I was a fan already, but I saw something, the inspiration, the unwillingness to compromise, the determination, the lack of sleep, the lack of rest, the doggedness that actually taught me so much more than I ever could have imagined." The museum, which features 1,200 pieces from Lucas's private collection, has been in the works for about 20 years... "I thought I was tough. I thought I was strong, I thought I had a will, and then I saw George, and I was like, 'Oh, that's why you could only do six of those movies,'" Hobson said. "Any more would have killed you." Artforum magazine notes the museum received "mixed reviews" before its September 22 opening: The billion-dollar, 300,000-square-foot museum, which opens to the public on September 22, encompasses 100,000 square feet of gallery space housing the collection of Lucas and Hobson. Intended to highlight storytelling in art, it presents the work of comic book artists John Romita Sr. and R. Crumb, illustrators Maxfield Parrish and Norman Rockwell, and fantasy painters Boris Vallejo and Frank Frazetta alongside masterworks by Artemisia Gentileschi, Lucas Cranach the Elder, and Pieter Brueghel the Younger, as well as Mary Cassatt, Frida Kahlo, and John Singer Sargent. All the works on display were chosen for their ability to tell a story, frequently in a single frame, Hobson told members of the press on September 2... "Some visitors may be scandalized by the collision of so-called 'high' and 'low,'" wrote Min Chen in Artnet News. "But there's something liberating about watching those hierarchies collapse, seeing the breadth of human creativity arrayed beyond the bounds of genre or canon." Notably, most of the works appear without didactics, which is intentional. "We're encouraging people to have their own individual encounters with works of art and take away what they feel like speaks to them," Lucas told The Guardian. The tactic did not land for everyone. "Without [didactics], I left the Lucas without a clear sense of how the museum is positioning itself or, frankly, without learning much about anything beyond what I already knew...." wrote Maximiliano Durón in Artnews. "The Museum of Narrative Art lacks any kind of narrative." Mary McNamara of the Los Angeles Times was unfazed by the lack of information, calling the institution "gutsy" and "defiant." "Critics will roar," wrote McNamara, "but the Lucas Museum is a win for 'the people's art.'" Even the museum's web site is a visual extravaganza (and impossible to scroll). Reportedly there's two restaurants, including the rooftop Skywalker Grill, which offers offering everything from striped bass and ragu bolognese to lobster corn dogs and Skywalker ranch Waygu burgers.

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Disneyland Announces Star Wars/Fortnite Collaboration, 'Avatar' Attraction, and a Newer Tomorrowland

Saturday Disneyland announced a special Star Wars-themed collaboration with third-person shooter game Fortnite — including a slick new trailer for its Star Wars: Smuggler's Gambit quest. Visitors to Disneyland's Smuggler's Run attraction at Disney's theme parks in Orlando and in Anaheim can accept a special mission while waiting in line for the ride, according to The Hollywood Reporter. And "If they succeed, they will get a unique Forsworn Trooper Outfit in a newly-created Fortnite adventure called Smugglers Gambit set in that same universe." "Millennium Falcon: Smugglers Run | Fortnite marks the first time this attraction has reached beyond its physical walls into a connected game world — a story that starts in a queue in Orlando or Anaheim can now continue on a screen almost anywhere," said Sean Shoptaw, executive VP of Disney Games and Digital Entertainment.... "Together these experiences reflect our ambition to connect stories and worlds across formats into one converged entertainment ecosystem...." The cockpit technology in the ride was actually created using Epic's Unreal Engine, which allows for many assets from the ride to appear in Smugglers Gambit.... "Whether you're at a Disney Park or playing Fortnite with your friends, fans have new ways to keep their Star Wars adventures going," [said Adam Sussman, president of Epic Games]. "This is only the beginning of what's possible when world-class storytellers bring their creativity into Fortnite." Disney, of course, is an investor in Epic Games, and the two companies have been at work building a new world that will connect to Fortnite with all of the Disney's beloved characters... This new collaboration, however, extends to the real world for the first time, bringing some video game magic to Disney's parks, and some of that theme park magic to the video game. Disneyland will also launch a new area based on James Cameron's Avatar: The Way of Water, reports The Orange County Register — which even has a picture of the Avatar Destination ride's model, showing an enormous (and very colorful) waterfall. The model was part of Saturday's Disney fan expo "D23", showing the Disneyland Monorail traveling around the edge of the attraction (which reportedly involves a 30-person vehicle). Saturday's event also included details on the long-awaited "reimagining" of the park's Tomorrowland area, with their official blog promising "Yesterday's tomorrow, today!" Tomorrowland has some history, explains the Orange County Register: The land's first update in 1967 was dubbed the New Tomorrowland with the 1998 makeover jokingly referred to as the New, New Tomorrowland. The latest iteration is already being called the New, New, New Tomorrowland. Disneyland's Land of Tomorrow has plenty of empty spaces in need of some Imagineering magic with the Tomorrowland Theater, Star Wars Launch Bay and PeopleMover track all sitting underused. Or, as The Wrap puts it, "The problem with Tomorrowland, of course, has been keeping up with tomorrow." 1967 introduced New Tomorrowland, with Adventures Thru Inner Space, Carousel of Progress and the PeopleMover giving it the "World on the Move" theme. In 1975 Space Mountain opened and in the 1980's the Tomorrowland stage was enclosed to become a 3D theater, where "Magic Journeys" and "Captain EO" played. Star Tours also opened in the 1980's, giving the area some additional adrenaline. But an elaborate redo of the area, planned for the 1990's, was cut short due to financial woes following the opening of Disneyland Paris and were largely shuttered. (In Florida, a new Tomorrowland was approximated in the mid-1990's but not really followed through on, adopting some of the timelessness of the Jules Verne-inspired Discoveryland from Paris.) Since the 1990's, Tomorrowland in Disneyland has become largely defunct or outright abandoned... In the late 1990's, Disney tried to use the [PeopleMover] track for a high-speed attraction called Rocket Rods. The attraction never worked properly and was shuttered after just a few years. Rumor has it that the intensity of the ride vehicles actually weakened the PeopleMover track and removing the track would be time consuming and costly. So since the turn of the millennium, there has just been track above and all around Tomorrowland that sits, untouched.

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